An almost Six Feet Under-level flash-forward was earned by the end of this show, and it was very important. And I think it was earned after six seasons. We take a few steps back from it we almost get into the roots, and then we turn around and leave. What was really nice about that was how emotional it was, because we don’t really do a lot of emotion on this show. Ruben Fleischer did an incredible job directing that. TVLINE | Ben, what did you think when you first saw the flash-forward pieced together?įELDMAN | Gosh, I loved that montage. To do that all together in the same episode, we needed to play with time a little, which the show has never done. We were allowed to have a more realistic and less upbeat ending for the store, but give a sense that things would be OK for these people.
I think it was a way to sort of a balance. MILLER | We should say that the idea for that sequence came from Justin Spitzer, to do that with a Garrett announcement. TVLINE | Where did the idea of doing a flash-forward come from? And why did it feel necessary here?
#Superstore finale series#
In separate interviews, TVLine spoke with series star/producer Ben Feldman, as well as executive producers/co-showrunners Jonathan Green and Gabe Miller, about that series-ending time jump and what comes next: A Bo & Cheyenne spinoff? A full-blown revival? Read on to find out… If you were watching closely, you saw Mateo and Eric show off their wedding rings to Bo and Cheyenne. * Everyone remained friends and eventually gathered at Glenn and Jerusha’s house for a picnic. A picture of the late, beloved Myrtle hung behind the cash register. * Glenn reopened Sturgis & Sons with Jerusha’s blessing and hired Cheyenne and Mateo to come work with him. (“Hanging and banging” totally means they’re official, right?)
Meanwhile, Dina and Garrett decided to keep dating after the store closed. She took Sandra on as her assistant manager and hired Marcus and Justine as warehouse workers. * Dina was hired to manage the Ozark Highlands fulfillment center.
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